Carolina Bocharova

Download K-haus 205 Fonts Family From Talbot Type K-haus 205 is inspired by the work of graphic designer and typographer, Herbert Bayer, during his time at the Bauhaus around 100 years ago — work that kick-started graphic design as we know it, to this day. It owes something to the simple geometry of Bayer’s hand-drawn, ‘universal typeface’, updated and expanded to deliver a clean, balanced, geometric sans for today. Also available as K-haus 105 , featuring a few different characters here and there, chiefly in the lower case set. Both variations include an extended character set, featuring accented characters for Central European languages. Download K-haus 205 Fonts Family From Talbot Type Download Now View Gallery

Download K-haus 105 Fonts Family From Talbot Type K-haus 105 is inspired by the work of graphic designer and typographer, Herbert Bayer, during his time at the Bauhaus around 100 years ago — work that kick-started graphic design as we know it, to this day. It owes something to the simple geometry of Bayer’s hand-drawn, ‘universal typeface’, updated and expanded to deliver a clean, balanced, geometric sans for today. Also available as K-haus 205 , featuring a few, more 'daring' characters here and there, chiefly in the lower case set. Both variations include an extended character set, featuring accented characters for Central European languages. Download K-haus 105 Fonts Family From Talbot Type Download Now View Gallery

Download Freight Display Cmp Pro Fonts Family From GarageFonts Freight Display Compressed Pro is a workhorse for headlines, subheads and running heads. The warmer proportions and large lower case give balance for an easy read. Beautiful headlines are back in style with Freight Display. Download Freight Display Cmp Pro Fonts Family From GarageFonts Download Now View Gallery

Download Branding SF Font Family From Latinotype Branding Super Family is an extension of the Branding project , including new variables that cater to a wide array of requirements, still maintaining its essence. It is a super family for modern needs! Additional to its particular design, different widths are included: now Branding Ultra Condensed is a reality. The project also considers a variety of alternate characters, making Branding Super Family a great tool for graphic designers and art directors. It is ideal for use in logotypes, isotypes, short texts, and others. Branding Super Family is a Sans Serif spurless font with medium-large x-height, straight curves and convex terminals. It has 7 weights and 4 widths that vary from thin to black, and from ultra condensed to medium, each with their matching italics. It also includes a set of 544 characters supporting 128 languages. OpenType characteristics include European accents, old style nu

Download Ballinger Condensed Series Font Family From Signal Our Ballinger family continues to grow with the addition of 16 new narrow styles. Their shared DNA is visible in the generous counters and x-height, forthright forms, and air of cheery efficiency. And like their wider relatives, they have their roots in 19th Century jobbing faces. While the eight Condensed styles are designed for impact, we took care to balance them for continuous reading, making them ideal for applications where space is at a premium. In contrast, the radically smooshed X-Condensed weights are ideal for movie credits, legal disclaimers, and lists of side effects. Features include semi-oldstyle figures and case-sensitive punctuation and delimiters. Winner of an ICAD Gold Bell. Download Ballinger Condensed Series Font Family From Signal Download Now View Gallery

Download Oddlini Font Family From sugargliderz Inside my head, there are a number of forms of Sans Serif typefaces, and I cannot put aside any single one of them. Even if they were in the way of the reading process, I still think they form splendid letters. For me, when I hear for example "Sans Serif", then immediately Helvetica comes to my mind, even though I don't think that it is the best Sans Serif out there. Of course it is a great typeface, but I believe that one should not be fixated on the association of Sans Serif = Helvetica. It is just that Sans Serif goes hand in hand with Helvetica after all, and I don't think it is exaggerated to say that everyone throughout the world would agree. In my head there is no conflict about this either, and I readily agree with this thinking. However, just because of that I don't necessarily spend time studying Helvetica in detail and analyzing its subtleties in order to progress